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    <loc>https://www.saracooper.me/home</loc>
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    <lastmod>2026-03-19</lastmod>
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      <image:title>Home - Sara Cooper’s work blends dark humor, psychological insight, and sharp cultural critique. Her novel RAVENOUS was a finalist for the 2025 Tucson Festival of Books Literary Awards and will be published in August 2026 by Fernwood Publishing, Roseway imprint (https://issuu.com/fernpub/docs/fernwood_publishing_fall_2026_catalogue) . As a playwright-lyricist, Sara has received awards and honors from the American Academy of Arts and Letters, American Theatre Wing, New York State Council on the Arts, National Alliance for Musical Theatre, and ASCAP, and she holds an MFA from New York University’s Graduate Musical Theatre Writing Program.</image:title>
      <image:caption>As a novelist, Sara writes incisive, feminist stories about women navigating the pressures of contemporary culture, particularly consumerism, wellness culture, and the performance of perfection. She skewers the absurdities of modern life while keeping a compassionate eye on the women trying to survive them. Sara’s novels fuse biting satire with emotional vulnerability and psychological depth.</image:caption>
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    <loc>https://www.saracooper.me/resume</loc>
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      <image:title>Images</image:title>
      <image:caption>Paper Mill Playhouse / Richard Rodgers Workshop (2025)</image:caption>
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      <image:caption>Sara Cooper and Lynne Shankel, Richard Rodgers Award Ceremony (2022)</image:caption>
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      <image:caption>National Alliance for Musical Theatre rehearsal, Perpetual Sunshine &amp; the Ghost Girls (2022)</image:caption>
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      <image:caption>National Alliance for Musical Theatre Festival of New Works (2022)</image:caption>
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      <image:title>Images</image:title>
      <image:caption>Cast and partial creative team, Perpetual Sunshine &amp; the Ghost Girls, NAMT (2022)</image:caption>
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      <image:caption>Lynne Shankel and Sara Cooper, NAMT Festival of New Musicals (2022)</image:caption>
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      <image:caption>Perpetual Sunshine &amp; the Ghost Girls, Beck Center and Baldwin Wallace University (2021)</image:caption>
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      <image:caption>Perpetual Sunshine &amp; the Ghost Girls, Baldwin Wallace University and Beck Center, photo credit MD Matt Webb and dir. Vicky Bussert (2021)</image:caption>
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      <image:caption>Perpetual Sunshine &amp; the Ghost Girls, Rhinebeck Writers Retreat 2021</image:caption>
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      <image:caption>HoT, Goodspeed Musicals, Johnny Mercer Writers Grove (2020)</image:caption>
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      <image:caption>Polyanna, Barnstorm Media (2020)</image:caption>
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      <image:caption>Elevator Heart, Tisch New Musical Theatre Workshop, New York University (2016)</image:caption>
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      <image:caption>Elevator Heart, THML Theatre Company (2019)</image:caption>
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      <image:caption>Elevator Heart, Tisch New Musical Theatre Workshop, New York University (2016)</image:caption>
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      <image:caption>Elevator Heart, University of San Fransisco, Performing Arts and Social Justice Department, photo credit USF (2018)</image:caption>
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      <image:caption>The Memory Show, New Bard Productions, United Kingdom (2016)</image:caption>
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      <image:caption>The Memory Show, New Bard Productions, United Kingdom (2016)</image:caption>
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      <image:caption>The Memory Show, New Bard Productions, United Kingdom (2016)</image:caption>
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      <image:caption>The Memory Show, Transport Group, photo credit dir. Joe Calarco (2013)</image:caption>
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      <image:caption>Things I Left On Long Island, FringeNYC (2014)</image:caption>
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      <image:caption>Things I Left On Long Island, FringeNYC (2014)</image:caption>
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      <image:caption>Things I Left On Long Island, FringeNYC (2014)</image:caption>
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      <image:caption>Things I Left On Long Island, FringeNYC (2014)</image:caption>
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      <image:caption>Things I Left On Long Island, FringeNYC (2014)</image:caption>
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      <image:caption>Jonathan Larson Grant, American Theatre Wing (2014)</image:caption>
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      <image:caption>Loving Leo, Weston Playhouse (2013)</image:caption>
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      <image:caption>The Memory Show, Watergate Media, Korea (2013)</image:caption>
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      <image:caption>The Memory Show, Watergate Media, Korea (2012-2013)</image:caption>
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      <image:caption>The Memory Show, Transport Group (2013)</image:caption>
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      <image:caption>The Memory Show, Watergate Media, Korea (2012-2013)</image:caption>
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      <image:caption>The Memory Show, Barrington Stage Company (2011)</image:caption>
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      <image:caption>The Memory Show, Watergate Media, Korea (2012)</image:caption>
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      <image:caption>The Memory Show, Transport Group (2013)</image:caption>
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      <image:caption>The Memory Show, Watergate Media, Korea (2012-2013)</image:caption>
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      <image:caption>Sara Cooper, William Finn, Zach Redler - opening night of The Memory Show, Transport Group (2013)</image:caption>
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      <image:caption>מיתוסים / MITOS / KAMANALIS, Colegio Civil Centro Cultural Universitario, Monterrey, Mexico (2012)</image:caption>
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      <image:caption>The Memory Show, Barrington Stage Company (2010)</image:caption>
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      <image:caption>Emergency Contraception!: The Musical, Theater for the New City (2007)</image:caption>
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    <loc>https://www.saracooper.me/works</loc>
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    <lastmod>2026-01-27</lastmod>
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      <image:title>Musicals, Teleplays, Plays, and Opera - Book &amp; Lyrics by Sara Cooper Music by Lynne Shankel Workshop and Industry Presentation, Paper Mill Playhouse and Richard Rodgers Award (2025) Arts Research: Incubation &amp; Acceleration Grant, University of Michigan (2024) Festival of New Musicals, Village Theatre (2023) Richard Rodgers Award (2022) National Alliance for Musical Theatre Festival of New Musicals (2022) Rhinebeck Writers Retreat (2021) New York Theatre Barn New Works Series (2021) Featured in NYU Faculty Concert (2021) 5X15, Beck Center and Baldwin Wallace, dir. Victoria Bussert, MD Matthew Webb (2021) National Alliance for Musical Theatre 15 Minute Musical Challenge Winner (2020) Perpetual Sunshine &amp; the Ghost Girls is an all-woman+ through-composed musical theatre piece about the capitalist exploitation of workers’ bodies and rights in the face of a national public health crisis. Featuring an original 1920s-2020s mashup score, the show is based on the true story of the women who worked in the factories and were knowingly poisoned by the United States Radium Corporation, and who fought back, changing United States labor laws forever.</image:title>
      <image:caption>Photograph: Perpetual Sunshine &amp; the Ghost Girls, 5X15 at Beck Center for the Arts / Baldwin Wallace University, 2021 - photo credit MD/editor Matt Webb, director Victoria Bussert, Baldwin Wallace University, and Beck Center for the Arts (2021)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60ff15c8a5479f6d40ccf938/1627340866606-VSIJMU01CRX836N1JCFD/screenshot-2020-03-30-00-38-13_orig.png</image:loc>
      <image:title>Musicals, Teleplays, Plays, and Opera - Book &amp; Lyrics by Sara Cooper Music by Lynne Shankel Festival of New Musicals, Goodspeed Musicals (2022) New York Theatre Barn New Works Series (2020) Johnny Mercer Writers Grove, Goodspeed Musicals (2020) NAMT Festival of New Musicals Finalist (2019) National Alliance for Musical Theatre “Other Shows You Should Know” Jukebox (2019) Concert reading, Dixon Place (2019) HoT is an all-women+ through-composed feminist adaptation of Helen of Troy. It examines the commodification of women throughout our lifetimes as Helen is first sexualized, then held to unrealistic beauty and gender-based standards, and finally vilified and discarded--until she decides to stand up and take her power back.</image:title>
      <image:caption>New York Theatre Barn New Works Series video still (2020)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60ff15c8a5479f6d40ccf938/22da0e8b-7891-41e3-863f-ffbbab3da933/The+Memory+Show1+copy.jpg</image:loc>
      <image:title>Musicals, Teleplays, Plays, and Opera - Book &amp; Lyrics by Sara Cooper Music by Zach Redler LAMB Arts Regional Theatre (2022) Benefit Reading for the Alzheimer's Association, The Mercury Theater Chicago (2019) New Bard Productions in London, England (2016) Original Cast Recording by Yellow Sound Label (2015) Off-Broadway, Transport Group at The Duke on 42nd Street, dir. Joe Calarco, MD Vadim Feichtner (2013) Water Gate Media in Seoul, South Korea (2012) Barrington Stage Company (2010) National Alliance of Musical Theatre Festival of New Musicals (2009) A two-person comic tragedy about the troubled relationship of a woman who has just been diagnosed with Alzheimer's and her estranged daughter who moves back home to take care of her.</image:title>
      <image:caption>Transport Group production poster (2013)</image:caption>
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      <image:title>Musicals, Teleplays, Plays, and Opera - Libretto by Sara Cooper Music by Zach Redler Lowbrow Opera Collective, dir. Katie Kelley, Christine Oshiki, Nic Varela (2021) Developed in Composers &amp; The Voice at American Opera Projects (2011-2012) American Opera Projects production (2013) Staged faculty concert, NYU Contemporary Music Ensemble (2013) Magnanimous featured at Opera Memphis (2013) A set of 6 monodramas about unrequited love.</image:title>
      <image:caption>Jorell Williams in Lowbrow Opera Collective’s digital production (2021)</image:caption>
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      <image:title>Musicals, Teleplays, Plays, and Opera - Teleplay by Sara Cooper BlueCat Screenplay Competition Semi-Finalist (2021) ScreenCraft TV Pilot Script Competition Semifinalist (2021) Emerging Screenwriters Genre Competition Semi-Finalist, Top 25 (2020) Page Turner Screenplays, Quarter-Finalist (2020) Book and Lyrics by Sara Cooper Music by Lynne Shankel In development If I Can’t Dance to It, It’s Not My Revolution is a rock musical about the immigration, pro-labor, anti-war, and reproductive rights activism, and ultimate deportation, of the enormously influential—and equally controversial—anarchist Emma Goldman.</image:title>
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      <image:title>Musicals, Teleplays, Plays, and Opera - Book &amp; Lyrics by Sara Cooper Music by Amy Burgess and Julia Meinwald NYC Premiere, THML Theatre Company, Access Theater, dir. Dev Bondarin, MD Anessa Marie (2019) University of San Francisco, Performing Arts and Social Justice Department (2018) Reading, The Tank (2017) Featured, Good To Go Songwriter’s Showcase, Prospect Theater Company (2017) Workshop, Tisch New Musical Theatre Workshop, New York University (2016) Concert, The Producers’ Club (2016) Grant, Queens Council on the Arts (2016) Concerts, Dixon Place (2015) A modular musical theatre piece built of vignettes that explore the diverse experiences of women+ in the 21st century.</image:title>
      <image:caption>Elevator Heart University of San Francisco, Performing Arts and Social Justice Department, photo credit USF (2018)</image:caption>
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